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Crypto Object | NFT art collection

Digital art between pop culture and pixel design.

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Tag: Remix culture

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Introduction: digital art, new media art, net art…labels, labels and more labels!

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The predecessors of electronic art: Dada, mail art, Fluxus, Pop art, optical art and video art

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New media art: the progeny of globalization and the World Wide Web

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Net art: art as a tool for socio-political change and its “hacktivism” and “artivism” sides

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Software art: code becomes art with critical software, social software and generative art

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Digital art: from images in ASCII code to fractals and Flash animation

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The latest trends in computer art: 3D animation, virtual reality and augmented reality

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Post-internet art: digital art makes its way to IRL art galleries

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Digital art and the art market: make ends meet or aim high?

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Digital art and survival strategies. The gift economy and inclusivity

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Hello crypto world!

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What are non-fungible tokens (NFTs)?

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Crypto art: digital art in the era of crypto technology

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Generative art: creativity that taps into non-human systems

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Web 3.0: a new way to think about the web

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Copy-Paste Creativity

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Collage: a creative practice that has played a starring role since the dawn of Modernism

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Cubism: from the papiérs collés of Georges Braque to the mixed-media collages of Pablo Picasso

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Dada: champions of experimental collage who dubbed themselves monteurs (mechanics)

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Futurism: the inventors of Parole in Libertà and creators of dynamic, combative collages

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Constructivism: collage and photomontage used as propaganda and to praise the proletariat

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The Bauhaus: the art and design school where modern photomontage techniques were taught

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Surrealism: the trend that used collage and assemblage to create disorienting associations

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Neo-Dada: artists that embraced assemblage and printed canvases, bridging the gap between Dada and Pop Art

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Nouveau Réalisme: the masters of décollage who critiqued modern consumer society

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Pop Art: from the collages of Richard Hamilton to the silkscreens of Andy Warhol, the world’s greatest “recycler”

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Xerox Art: the creative technique that exploited the distorting effects and colors of modern copy machines

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Fluxus: the deeply experimental art movement which gave rise to electronic décollage

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Conceptual art: the advocates of a cerebral, immaterial kind of art with a soft spot for collage and photo-collage

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Postmodernism: an art form that mixed old and new, high and low, tradition and camp in a collage-like framework

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Appropriation: claiming the work of others as your own to question concepts such as originality and authorship

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Postproduction: the opportune label coined by Nicolas Bourriaud for art based on reusing and remixing

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Net art, new media art and Post-Internet: when copying and pasting practically becomes religion

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Remix culture: the paradigm with which Lawrence Lessig challenged the myth of authorship and originality

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Prosumers: the new protagonists of the online creative scene in the Web 2.0 and social media era

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No-copy creativity: the taste for appropriation shared by creators and avant-garde artists alike

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Copy-paste creativity: the technique that makes it possible to create original works of art by remixing and recycling materials

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Closing the circle: professional artists and web creators together for a web-based circular economy

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Summary and conclusion: from the origins of copy-paste creativity to its Web 3.0 future

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